What Parents Should Know
Parents need to know that much of this show's humor derives
from sexual banter and playful flirtation between a father and
the provocatively clad nanny of his three kids. While none of
the discourse is sexually graphic (in fact the word "sex" is
almost never heard), astute tween and teen viewers won't miss
the suggestive comments and glances. The show also draws comedy
from the kids' various woes. Adolescent issues like dating,
peer pressure, and self-image are played for laughs, but the
adult influence is good, and the overall message is a positive
one.
- Families can talk about family dynamics and communication between kids and parents. How do families establish and maintain good communication? Who do you go to for advice? Parents also can talk about what defines a family. Who do you consider to be part of your family?
THE NANNY is a classic '90s sitcom about the unlikely pairing of a proper Englishman-turned-New Yorker and his hastily hired nanny from Flushing. Desperately seeking a caregiver for his three children, widower Maxwell Sheffield (Charles Shaughnessy) opens his door one day to find Fran Fine (Fran Drescher), who's selling cosmetics in the affluent neighborhood after being dumped by her fiancé and losing her job in a bridal shop. He hires her on the spot and the two form a quintessential odd couple: He's a successful, buttoned-down Broadway producer, and she's a dramatic single gal with an eye for flashy fashion and ticking biological clock. But bubbly, nasally Fran immediately wins the hearts of the Sheffield children -- Maggie (Nicholle Tom), Brighton (Benjamin Salisbury), and Grace (Madeline Zima). Fran is likewise adored by Niles (Daniel Davis), the Sheffields' buttinsky butler, with whom she enjoys exchanging jabs at the expense of Maxwell's fawning female associate, C.C. Babcock (Lauren Lane).
Playful banter and mild sexual innuendoes are the heart of the show's humor, and little of it is cause for concern. But parents may find the constancy of both Fran's and C.C.'s blatant attempts to catch Maxwell's eye questionable subject matter for their teen or tween daughters. C.C. in particular practically throws herself into Maxwell's arms at every opportunity and looks down her high-society nose at Fran, seeing her as an unworthy adversary for the affections of an eligible bachelor.
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