What Parents Should Know
Parents need to know that this post-apocalyptic epic
postulates a semi-barbarous future where everything is traded
and bartered -- including sex. The heroine is glimpsed naked
from the rear as she tries to use her body to bribe the hero
(he declines the offer), and there's a near-rape of her by
another man in a similar "business" arrangement. Frequent
violence includes death by machine guns, spears guns, bombs,
crashes, knife slashes, drownings, and fireballs. There's a
gruesome threat of execution by drowning in some sort of sludge
made from human decomposition, and a mutilated main villain
demonstrates graphically that he's lost an eye. A little girl
is occasionally threatened with danger/death, usually via
drowning. Swearing includes one use of the F-word, multiple
S-bombs. Much cigarette smoking, and some drinking-carousing
happens among the bad guys. The flamboyant lead villain, at one
point, is made to look like a Christian evangelical preacher.
Some viewers may be grossed out by the introduction of the
Kevin Costner character, urinating and then distilling/drinking
his own urine.
In the future, the melting polar ice caps flood the whole planet. On this water world, semi-savage, seagoing remnants of humanity subsist on atolls, sailboats, and outposts. One of them is a nameless Mariner (Kevin Costner), a wanderer who has evolved gills to breathe underwater but who otherwise roams and trades on a cool sailboat. Despite his loner nature, the Mariner ends up protecting a little girl named Enola (Tina Majorino) and her adult guardian Helen (Jeanne Tripplehorn) from piratical "Smoker" raiders, armed barbarians who pillage and loot while riding Jet-Skis and powerboats.
Like the 1963 Cleopatra, this ecologically-tacking sci-fi flick become a symbol of Tinseltown waste and epic ego, as the original director left the production and the budget ballooned way over estimates. Thanks to all the gossip the film was labeled a bomb by many before it had even opened. In fact, WATERWORLD does offer solid entertainment (and it did find minor box-office success) in the form of fun swashbuckling and cool low-tech nautical gadgets and imaginative production design that is indeed otherworldly. Dennis Hopper does an amusingly comic-scary villain -- even if his bloody eye socket is one of several gross-out moments for kid and adult viewers. Only as it slackens toward the end (and piles on the bad-science snafus) does the movie begin to feel as ponderous and self-absorbed as critics complained. It helps if one hasn't recently seen Mad Max Beyond Thunderdome, which was a too-obvious inspiration.
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Cast Away
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